There
are very few living authors about whom I’d say to someone who is serious about
books ‘Don’t die before you have read him’. And I happen to know something
about books. Khaled Hosseini is one of that elite.
He
writes about love and hate, pain and longing, folly and illusion and evil and
sin and remorse and redemption and finding out through long, diverse and
intense experience who we are, what we were born for, how to make the best of
our human condition against the most unfair and unmanageable odds, make peace
with ourselves and be glad or at least quietly content when our number is up.
Yes, the stuff of the finest works through the ages in every land…old hat.
Only, some people do it their own way and very much better than others, leaving
permanent footprints on the sands of time, making you thankful that they wrote
and you read them.
He
knows how to make pain, gut-wrenching pain, more beautiful and beguiling and
fulfilling than even the sweetest pleasure. In this mind-numbed, crudely
hedonistic age he defies your expectations of gooey happy endings and dares you
not to read him. You go back to him even though you know you can’t take it any
more. After The Kite Runner and A Thousand Splendid Suns, I had sworn to
myself I shall never read a Hosseini again. His new book has come out last
month – five years after the previous one – and when Abhirup brought it along,
it took me half a minute to forget my resolve: I finished the first hundred
pages in a breathless hour-long rush, and I knew I was hooked, and had to
finish the book no matter what.
This
book too, originates in Afghanistan; indeed most of it dwells on present-day,
war-torn, poverty-ravaged, religion-and-drug-crazed Afghanistan, but it covers
a much longer time span than the previous ones, travels all over the world from
Greek islands to Paris to Spain to Californian suburbs and even fleetingly to India,
and deals simultaneously with a much greater number and variety of characters,
most of whom interweave and interact with one another in one way or the other,
in the best tradition of grand narratives of yesteryear. There are poor
marginal farmers quietly bleeding their lives away in back-breaking labour to
keep their families alive and there are corrupt, violent warlords wearing masks
before their childen that ultimately drop off, there are beautiful, dissolute,
frustrated poets and math PhDs trying to understand them as parents and human
beings as they themelves raise families and grow old; there are savaged, ugly but
gifted women trying to live decently with a purpose and little boys growing
into doctors trying to respect them and love them, there are homosexual masters
who are nice but frustrated people and lovelorn servants who wish they knew
with their dying breath they had done the right thing; there are ‘good’ men who
eventually have to admit to themselves they are lesser human beings than their
‘bad’ siblings, there are faithful daughters desperately trying to find out
what is missing from their lives and stern mothers who shame their grown up
sons in the dusk of their lives by praising them, there are men and women and
children suffering in exile and making do and changing and yet remaining
unchanged… but always, also in the grand tradition, everything revolves over
and around one basic template: two human beings who loved each other with an
uncommon love, cruelly separated in childhood, longing and forgetting and remembering
and searching all their lives for each other, and finding each other and bliss
at last, more than half a century later, not in a way that makes for fairy
tales but the sort that brings a wrenching cry from the heart – oh Allah, who
is all merciful, it is not for us to judge, but could it not have been done in
a kinder, nicer way? At the same time you are richer and deeply thankful for
the experience: a master spirit has shown you what it means to be human.
The
quote before the story begins is from Jelaluddin Rumi: ‘Out beyond ideas of
wrongdoing and rightdoing, there is a field. I’ll meet you there’. Indeed, the
book reconfirms the truth of the French proverb, tout comprendre, c’est tout pardonner… and reminds us of Jesus’
admonition ‘Judge not, so thou shalt not be judged’. The best writers can do it
far more persuasively than your run of the mill priest. And the book ends with a
cathartic vision that, if you are capable of appreciating it, you will find it hard to forget.
Hosseini
has single-handedly put Afghanistan on the world’s literary map: that is just
one of his achievements. He reminded me once again why I read math and science
and economics but chose to live by teaching literature, and also why a man may
own all the baubles of this world but will die pitiably deprived and poor if he
has not read a few good books of this sort. Also, how hard it is to be both a
parent and a child. And what love and loving means. Those who know me will
understand how hard it is for me to call someone my teacher: Hosseini has earned his place on the pedestal. I wonder
what an incredible husband and father he must be. And he is the rare kind of
man that I envy in this world – a man who has managed to do well by writing books
that can find permanent places on the shelves of the most civilized among us.
May God grant him a long and happy life devoted to writing. Visit his website
at khaledhosseini.com, and do listen to the video where he talks about his new
baby.
Statutory
warning: Mutual sibling love of this ethereal quality surviving into adulthood
is even rarer in this world than that between a teacher and his student. I
should know.
P.S..:
The stupidest people write book reviews these days, people who cannot
distinguish Chetan Bhagat or E. L. James from Hemingway, Shaw or Shakespeare,
and people who basically have nothing to say but are desperate to say it anyway
– you can look up a few at goodreads.com yourself. Talk about chattering apes, and what harm a smattering of education
can do…
[And
the Mountains Echoed, by Khaled Hosseini, Bloomsbury, 2013, pp. 402, Indian
edition Rs. 599, ISBN 978-9-3829-5100-1]
