I have just finished reading this book, and thought it might be as good an occasion as any other to pen down a review, seeing that so many blog-readers have been asking why I stopped writing reviews after just one.
As a rule I do not think very highly of the current crop of Indian writers in English – I find them too recherché at times, and clichéd at others, I feel they write too exclusively about NRIs for other NRIs, they take too little direct and involved interest in Mother India (probably because that doesn’t pay, as so many Indian writers in Indian languages have found out the hard way!), that they have too much sauce and too little substance, in contrast with the earlier generation, R. K. Narayan, Mulk Raj Anand, Anita Desai, Khushwant Singh, Naipaul et al, who had a lot to say, and knew how to say it simply yet impressively… I am, of course, willing to pay tribute where I feel it is due; I have spoken and written highly of such works as Rushdie’s Haroun and the sea of stories, Vikram Seth’s An Equal Music, and Amitav Ghosh’s The Hungry Tide. Jhumpa Lahiri did not strike me as great stuff with her first volume, The Interpreter of Maladies (despite the fact that I couldn’t help being both very surprised and very proud that it had won the Pulitzer, putting an Indian in the elite company of titans like Hemingway – God knows how that happened!) though I did feel she had promise, and might go on to surprise us pleasantly with works that kept getting better as she kept thinking, observing and polishing her art. Even in that first book, the story about 'Buri-ma' and the one called The Third and Final Continent struck me as very good and sincere writing as soon as I read them: here, I thought, was a fine writer in the making. Since then The Namesake has appeared on the market, made waves and won accolades: it has also been turned into a movie I can vouch is worth watching. Now I have this latest collection of short stories (for want of a better expression: they are not typical short stories, but rather ruminative essays/travelogues/partial autobiographies) on my table, and I can say with conviction that Ms. Lahiri has definitely lived up to my expectations. This is good if not excellent writing. Indeed, if only the Indian diaspora knew a good thing when they saw one (or rather, if enough of them read books at all – far too many of them, alas, are money-minded and ‘busy’ doctors, engineers and traders to think of higher things such as books), they would have left no stone unturned to ensure that this writer became a global celebrity as, for instance, so many Latin Americans have managed to become. I am proud when I hear that an Arun Netravali has become director of Bell Labs, a Vinod Khosla has financed Sun Microsystems or a Vikram Pandit has become CEO of Citibank, but an Indian author who is acknowledged as great worldwide, as Tolstoy was, and Marquez is, would please me infinitely more. Tolstoy and Tagore are remembered as no tycoon or technical man of their times is – that’s the way of the world!
Other than being keenly observant and sensitive as any writer on lives, lifestyles and manners should be, Jhumpa is admirable for the many different ways in which she has portrayed the human condition of Indians abroad (and their families back in India). She writes not only about lonely children trapped and struggling between two cultures, but about fathers and mothers, wives, sons, daughters, in-laws, family friends and colleagues, and how they cope, each in his or her own distinctive way – though with many common features too – and how so many lives are crushed by failure and misfortune, and how happiness occasionally blooms despite everything, even if it is fated to be transient. I found the sister being forced to throw out the alcoholic and criminally-irresponsible brother truly tragic, and the way Kaushik is taken out of Hema’s troubled love-life by the tsunami of December 2005 is wrenchingly neat. The mother’s lifelong secret crush on her father’s young colleague forces a sigh from many of us who are old enough to know, understand and forgive such things: it happens all the time inside India, too; the setting on alien soil only makes it more plausible, and more poignant. The way Amit deals with Megan, or Sang with Farouk might not make great stories, but it tells us that some Indians have managed to become so thoroughly Americanized that their problems and solutions no longer have anything very specially Indian about them, either in their follies or in their triumphs. Truly, a new sub-species of Indian has been breeding over the last half-century, and society and politics in both India and America would sooner or later have to engage seriously with them! It is something important for both countries to know, and Jhumpa Lahiri will be remembered for being among the first writers to point out the phenomenon.
I have been reading up on Jhumpa on the Net. It seems she is quite candid (and why shouldn’t she be?) about the strongly (though fragmentarily-) autobiographical element in her stories. The protagonist of The Third and Final Continent was supposedly modelled on her father, just as The Namesake reflects much of her own youthful agonizing over her difficult double name (it was originally Nilanjana Sudeshna) which made her so uneasy and guilty in the American milieu that she replaced it with the short one they called her by at home!
I have started liking her for a number of reasons. First, she writes good, correct Standard English devoid of mannerisms, currently ‘in’ slang, prolixity, excess of innuendos, fanciful ornamentation and over-use of Bangla words in italics, yet manages to be as elegant and expressive and impressive as she would like to be: all worshippers of cant, jargon, bombast and ‘Indlish’ (including the likes of Kiran Desai and some blog writers I know!) may please note. It doesn’t stop her from winning prizes, either: I find that a most reassuring thing about contemporary critics and readers alike. Second, she writes about things she knows, understands and empathises with, and (contrary to what I have been hearing some people saying – ‘She’s writing about the same sort of people and issues again and again!’), I believe that’s exactly what an honest person who wants to be a good writer should do. It’s nothing new, actually, only people have forgotten: Erich Maria Remarque went back again and again to the lives of the generations in Germany torn asunder by the First World War, and Dickens wrote only about the middle- and lower middle classes struggling, losing out and profiteering out of the Industrial Revolution raging like a hurricane through early 19th-century English society – and oh my God, what books they have left behind! So more power to Jhumpa’s elbow. Maybe though, she should write about other Indians in America, too: till date, she has focused too narrowly on Bengalis. And while some critics back in India have accused her of not portraying our NRIs in a sufficiently positive light (long ago Nargis accused Satyajit Ray of ‘showcasing India’s poverty' through Pather Panchali! Some people never learn…), I would rather say she should take off the kid gloves and start telling the truth more like it is; not just mention but criticize, or at least laugh at all the petty spites and jealousies and backbiting and one-upmanship and little cruelties and provincialism that make up and embitter so large a part of the collective lives of all Indians in the US of A. (baggage that has been carried over and intensified). Without that, we would have become at least as strong a force in American social and political life by now as the Jews and the Chinese have managed to become! It is essential for a writer who wants to be remembered to be bravely and unashamedly didactic.
As for all folks back here at home, I wish more and more parents in my country (and in my little one-horse town) would read these books. They would then begin to wonder whether it’s really not quite silly, despite all the material goodies on offer, to boast of one’s son having moved to ‘Umrica’. A few of us have always known that it’s not the same thing as going to paradise; now the likes of Jhumpa Lahiri are telling us all why not. May her tribe prosper.
P.S.: here’s one interesting link to an article about J.L.:
http://www.washingtonpost.com/ac2/wp-dyn/A59256-2003Oct7?language=printer
Also, I read the following in wikipedia: “Upon its publication, Unaccustomed Earth achieved the rare distinction of debuting on The New York Times best seller list in the number 1 slot. New York Times Book Review editor Dwight Garner stated, ‘It’s hard to remember the last genuinely serious, well-written work of fiction – particularly a book of stories – that leapt straight to No. 1; it’s a powerful demonstration of Lahiri’s newfound commercial clout.’ ”
Finally, many thanks to young Abhishek Das, who has just finished class 10 with me, and who very kindly lent me the book to read. I was thrilled to bits to learn, too, that he has a mother who, despite being a doctor, has time to read books like this one. I wish her a long life of happy reading.
Now that I have been blogging for two continuous years (and an enormous number of people, including lots of celebrities both in India and abroad are doing the same), let me look back and reflect upon the experience.