I read J.K. Rowling’s debut detective novel The Cuckoo’s Calling, and wasn’t too impressed. Yes, she has
introduced a new kind of private eye – not an easy thing to do in this day and
age – and managed to make him a fairly sympathetic figure, warts and all. She
plans to develop the template into another seven-part series. Let us see how it
fares with the readership: I shall keep my fingers crossed. The first book, it
seems, has sold well, though it’s not a patch on the Harry Potter series, and one swallow doth not a summer make. The
fact that Ms. Rowling tried a pseudonym first and then quickly ‘leaked’ the
fact that it was she because otherwise the book was not selling is a worrisome
datum. A rather interesting relationship seems to be developing between the
detective Cormoran Strike and his new young secretary Robin Ellacott, so that
is one thing I shall watch with interest. Ms. Rowling knows a great deal about
the high life in London, and that comes across rather well, as well as her
visceral hatred of the paparazzi, and her rather low opinion of womankind in
general, which I find both just and admirable. The storyline is rather thin: if
you plan to enjoy the book, you must be prepared to do so for the sake of
atmosphere rather than plot. What I found most deplorable and utterly
unwarranted – unless Ms. Rowling has assumed that her readership is slightly
sick – is the endless and intense use of obscenities in virtually everyone’s
conversation. If this has been done for the sake of ‘realism’, I have two
observations about this: a) one might as well condone detailed descriptions of
excretory functions in movies, for they are of course a necessary and permanent
part of ‘reality’, and b) Ms. Rowling has herself demonstrated, as have many
others, that perfectly good writing can be achieved without it. Also, if this
is the kind of conversation I must hear all around me if I am ever in England,
I am glad I won’t have to go there. Things are bad enough in the streets of
Bengal… one thing I can definitely say is, unlike with Sherlock Holmes, or
Hercule Poirot or Dr. Thorndyke – or even Harry Potter – I won’t want to
re-read this book over and over after gaps of a few years.
I have also just finished the second book in the Ibis trilogy series by Amitav Ghosh, River of Smoke (Sea of
Poppies I read a year ago). I have deeply admired Ghosh as perhaps the
finest of living Indian authors in English ever since The Hungry Tide, and my admiration has been redoubled since. He is
writing a grand saga in the classical style, not afraid to make each volume
several hundred pages long and demanding intense and focussed attention from
the reader all through – that he can make a living that way, as can Khaled
Hosseini, tells me something most reassuring in the age of twitter.
Every good book leaves you a little wiser, a little better, a
little changed. Ghosh’s writing is definitely of that category: he does not write for a moment’s sensation. I pride myself on my knowledge of
history, yet he has humbled me with a
delicious and highly digestible history of India and China around the 1830s.
And the books are a veritable feast for the gourmet of detail, be it about food
or ships or flowering plants or paintings or the marvellous and intricate richness
and variety of languages (for a lot of readers, of course, that would be the
major turn-off: I am glad that to Ghosh as to me, such readers’ opinions don’t
count). In the tradition of the best writers of all lands and ages, he has also
created a very wide variety of characters who are live enough for you to
empathize deeply with. And he left me wondering impatiently what new twists and
turns the story would take when I had reached the last page, knowing that the
third book, Flood of Fire, is going
to be released not before spring 2015.